![]() I pray to Lord Vishnu, the one who eliminates fear, and the one who is the master of the Universe. Om namo Bhagavate Vasudevaya is the one of the powerful Hindu mantras. I pray to Lord Vishnu, who is the consort of Goddess Lakshmi he who has lotus-like eyes he for whom the Yogis meditate. I pray to Lord Vishu, who holds the Universe, and who is as vast as the skies the one whose complexion is like the clouds. I pray to Lord Vishnu, the one who has a serene demeanour the one who rests on the Adishesha the one who has a navel like a lotus and who is Lord of all the Gods. Vande vishnum bhava bhaya haram sarva lokaika naatham Lakshmi kaantam kamala nayanam yogi bhi dhyaanaagamyam Vishwadhaaram gaganasadrisham meghavaranam shubhangam Shanta karam bhujaga shayanam padmanabham suresham As I meditate on you O Narayana, O Vasudeva, bless with the higher intellect, O Lord Vishnu, ignite my mind Om Narayanaye Vidmahe, Vasudevaya Dheemahi This Vaikuntha Chaturdashi day ( check out the day and puja muhurat), chant the following powerful mantras dedicated to Lord Vishnu and Lord Shiva. Sound is a path which can guide us there.Devotees perform the Nishita Kaal (midnight) puja of Lord Vishnu and worship Lord Shiva during Arunodaya (sunrise). Through any one of them, we can see that all these differences are illusion, and that in truth all is one. Shama views all these teachings and practices as different facets of the diamond mind. She has studied with several sound shamans, including Frank Coppieters and Tito La Rosa, as well as sound healers such as Chris James. Shama’s music reflects the varied spiritual practices she has studied and embraced, including Hinduism, Buddhism, Sufism, Mystical Christianity and the Kabbalah. In 2006 she joined the shamanic sound troupe Shemaya, which creates improvisational healing sound. She shares her music in chant evenings as well as in New Thought churches and in special events, such as labyrinth walks and solstice ceremonies. In 2004 she began playing a keyboard, and again felt Spirit guiding her playing and songwriting in ever-expanding ways. Shama bought a harmonium and found Spirit teaching her how to play and lead chant. Through the vocal practice of this discipline, her voice developed both in its range and control as well as in its ability to carry the energy of spirit.ĭuring this time she experienced kirtan with Jai Uttal and Krishna Das, and felt an immediate affinity with chant as a meditative practice. She studied in India with some of the masters of the Kirana Ghirana lineage. ![]() In Portland, Shama began vocal study of Indian Raga music with disciples of Pandit Pran Nath, including Terry Riley, Mashkoor Ali Kahn, Michael Stirling, Rik Masterson, and Rose Okada. She then studied Afro Cuban drumming, continuing in Hawaii, where she joined a singing troupe led by Lila, which performed original spiritual songs in many languages with African drum accompaniment. She began studying African dance and drumming, studying with West African teacher Ibrahima Carama in Boston for three years. ![]() Any reproduction or republication is prohibited.Subscribe. Shama began to focus on music seriously in her life after a major life transitio… Read Full Bio ↴ Shama began to focus on music seriously in her life after a major life transition at age 30. Om Namo Bhagavate Vasudevaya Mantra Chanting 1008 times Powerofmantra.
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